Audio: Theatre Buildings
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Barbara Baker on Backstage Stories
25th January 2008
INTERVIEW: BARBARA BAKER The author of Backstage Stories (Continuum) chats to Aleks Sierz about her new book of interviews, which is a behind-the-sce...
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Buddy Dalton: New End theatre
23rd January 2008
INTERVIEW: BUDDY DALTON The alternative theatre impresario, who set up the New End fringe theatre in an abandoned morgue in 1974, talks to her grand-d...
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Robert Tanitch on the London stage
23rd October 2007
INTERVIEW: ROBERT TANITCH The critic and writer talks to Philip Fisher about his latest, lavishly illustrated book, The London Stage in the Twentieth ...
Listen nowin 19th-Century Drama, 20th-Century Drama, Books, Theatre Buildings, Theatre People
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Artistic director Hamish Glen talks about new improved Belgrade
11th September 2007
REGIONAL THEATRE: COVENTRY Hamish Glen, the artistic director of the Belgrade Theatre, Coventry, talks to Dominic Cavendish about the multi-million po...
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The Mark Shenton Show’s Fringe Focus
20th April 2007
THE MARK SHENTON SHOW Fringe focus: what exactly is the fringe today, and what is its future? Critics Lyn Gardner and Kieron Quirke join David Jubb, h...
Listen nowin London Fringe, Reviews and Roundtables, Theatre Buildings
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Professor Robert Hewison talks leadership
10th October 2006
CULTURAL LEADERSHIP Professor Robert Hewison, a theatre critic who also teaches cultural leadership at City University, talks to Dominic Cavendish abo...
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Royal Court Special: artistic directors (4/4)
1st December 2005
ROYAL COURT SPECIAL (4/4) Bill Gaskill, Max Stafford-Clark and Ian Rickson conclude their insiders' assessment of the Court's 50-year success story. A...
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Royal Court Special: artistic directors (3/4)
1st December 2005
ROYAL COURT SPECIAL (3/4) Bill Gaskill, Max Stafford-Clark and Ian Rickson field questions about the Court's past, present, legacy and future. Aleks S...
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Royal Court Special: artistic directors (2/4)
1st December 2005
ROYAL COURT SPECIAL (2/4) Bill Gaskill, Max Stafford-Clark and Ian Rickson reflect on their experiences as artistic directors and on differing develop...
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