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                        <title>Ita O&#8217;Brien</title>
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                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Tue, 24 Mar 2026 10:51:11 +0000</pubDate>
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                        <description><![CDATA[INTERVIEW: ITA O&#8217;BRIEN Ita O’Brien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bringing together decades of experience in dance, acting, and embodied practice, she developed the Intimacy On Set Guidelines, a framework that has become central to how intimate content is created safely and professionally across the [&#8230;]]]></description>
                        <itunes:summary><![CDATA[INTERVIEW: ITA O&#8217;BRIEN Ita O’Brien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bringing together decades of experience in dance, acting, and embodied practice, she developed the Intimacy On Set Guidelines, a framework that has become central to how intimate content is created safely and professionally across the [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[INTERVIEW: ITA O&#8217;BRIEN Ita O’Brien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bringing together decades of experience in dance, acting, and embodied practice, she developed the Intimacy On Set Guidelines, a framework that has become central to how intimate content is created safely and professionally across the [&#8230;]]]></itunes:subtitle>
                        <content:encoded><![CDATA[INTERVIEW: ITA O&#8217;BRIEN Ita O’Brien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bringing together decades of experience in dance, acting, and embodied practice, she developed the Intimacy On Set Guidelines, a framework that has become central to how intimate content is created safely and professionally across the [&#8230;]]]></content:encoded>
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                        <title>Tony Lankester</title>
                        <link>https://www.theatrevoice.com/audio/tony-lankester/</link>
                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Fri, 13 Mar 2026 16:56:27 +0000</pubDate>
                        <itunes:author>The V&amp;A</itunes:author>
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                        <itunes:isClosedCaptioned>No</itunes:isClosedCaptioned>
                        <itunes:explicit>No</itunes:explicit>
                        <dc:creator>The V&amp;A</dc:creator>
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                        <description><![CDATA[INTERVIEW: TONY LANKESTER Tony Lankester took on the role of Chief Executive of the Edinburgh Festival Fringe Society in 2025, stepping into one of the most complex arts leadership roles in the world. With around 3,500 shows heading up to the city of Edinburgh each summer, against ever more difficult financial circumstances, he talks to [&#8230;]]]></description>
                        <itunes:summary><![CDATA[INTERVIEW: TONY LANKESTER Tony Lankester took on the role of Chief Executive of the Edinburgh Festival Fringe Society in 2025, stepping into one of the most complex arts leadership roles in the world. With around 3,500 shows heading up to the city of Edinburgh each summer, against ever more difficult financial circumstances, he talks to [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[INTERVIEW: TONY LANKESTER Tony Lankester took on the role of Chief Executive of the Edinburgh Festival Fringe Society in 2025, stepping into one of the most complex arts leadership roles in the world. With around 3,500 shows heading up to the city of Edinburgh each summer, against ever more difficult financial circumstances, he talks to [&#8230;]]]></itunes:subtitle>
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                        <title>Paule Constable</title>
                        <link>https://www.theatrevoice.com/audio/paule-constable/</link>
                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Thu, 12 Mar 2026 10:52:42 +0000</pubDate>
                        <itunes:author>The V&amp;A</itunes:author>
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                        <itunes:explicit>No</itunes:explicit>
                        <dc:creator>The V&amp;A</dc:creator>
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                        <description><![CDATA[INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped the look of contemporary theatre in the country through her work on stage &#8211; from War Horse to Les Misérables to Oliver to Wolf Hall to Angels In America &#8211; [&#8230;]]]></description>
                        <itunes:summary><![CDATA[INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped the look of contemporary theatre in the country through her work on stage &#8211; from War Horse to Les Misérables to Oliver to Wolf Hall to Angels In America &#8211; [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped the look of contemporary theatre in the country through her work on stage &#8211; from War Horse to Les Misérables to Oliver to Wolf Hall to Angels In America &#8211; [&#8230;]]]></itunes:subtitle>
                        <content:encoded><![CDATA[INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped the look of contemporary theatre in the country through her work on stage &#8211; from War Horse to Les Misérables to Oliver to Wolf Hall to Angels In America &#8211; [&#8230;]]]></content:encoded>
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                        <title>Sir Tim Rice</title>
                        <link>https://www.theatrevoice.com/audio/sir-tim-rice/</link>
                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Mon, 12 Jan 2026 14:39:34 +0000</pubDate>
                        <itunes:author>The V&amp;A</itunes:author>
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                        <itunes:explicit>No</itunes:explicit>
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                        <description><![CDATA[INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written the words to many of the best known songs of all time &#8211; including Circle of Life and A Whole New World &#8211; and penned hits for artists [&#8230;]]]></description>
                        <itunes:summary><![CDATA[INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written the words to many of the best known songs of all time &#8211; including Circle of Life and A Whole New World &#8211; and penned hits for artists [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written the words to many of the best known songs of all time &#8211; including Circle of Life and A Whole New World &#8211; and penned hits for artists [&#8230;]]]></itunes:subtitle>
                        <content:encoded><![CDATA[INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written the words to many of the best known songs of all time &#8211; including Circle of Life and A Whole New World &#8211; and penned hits for artists [&#8230;]]]></content:encoded>
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                        <title>Amit Sharma</title>
                        <link>https://www.theatrevoice.com/audio/amit-sharma/</link>
                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Thu, 13 Nov 2025 14:19:37 +0000</pubDate>
                        <itunes:author>The V&amp;A</itunes:author>
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                        <itunes:isClosedCaptioned>No</itunes:isClosedCaptioned>
                        <itunes:explicit>No</itunes:explicit>
                        <dc:creator>The V&amp;A</dc:creator>
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                        <description><![CDATA[INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London&#8217;s Kiln Theatre in 2023. He has already made his mark there with hits including the West End transfer of Ryan Calais Cameron&#8217;s thriller Retrograde, about the actor Sydney Poitier. Before the Kiln, Amit worked as a director with Graeae Theatre Company and as Deputy Artistic [&#8230;]]]></description>
                        <itunes:summary><![CDATA[INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London&#8217;s Kiln Theatre in 2023. He has already made his mark there with hits including the West End transfer of Ryan Calais Cameron&#8217;s thriller Retrograde, about the actor Sydney Poitier. Before the Kiln, Amit worked as a director with Graeae Theatre Company and as Deputy Artistic [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London&#8217;s Kiln Theatre in 2023. He has already made his mark there with hits including the West End transfer of Ryan Calais Cameron&#8217;s thriller Retrograde, about the actor Sydney Poitier. Before the Kiln, Amit worked as a director with Graeae Theatre Company and as Deputy Artistic [&#8230;]]]></itunes:subtitle>
                        <content:encoded><![CDATA[INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London&#8217;s Kiln Theatre in 2023. He has already made his mark there with hits including the West End transfer of Ryan Calais Cameron&#8217;s thriller Retrograde, about the actor Sydney Poitier. Before the Kiln, Amit worked as a director with Graeae Theatre Company and as Deputy Artistic [&#8230;]]]></content:encoded>
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                        <title>Edinburgh Fringe 2025: Critical Roundup</title>
                        <link>https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/</link>
                        <copyright>&#x2117; &amp; &#xA9; 2026 TheatreVoice / V&amp;A</copyright>
                        <pubDate>Thu, 09 Oct 2025 16:55:17 +0000</pubDate>
                        <itunes:author>The V&amp;A</itunes:author>
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                        <itunes:isClosedCaptioned>No</itunes:isClosedCaptioned>
                        <itunes:explicit>No</itunes:explicit>
                        <dc:creator>The V&amp;A</dc:creator>
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                        <description><![CDATA[TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual TheatreVoice critical round-up to cover and reflect on the Festival each year, with discussions of ticket sales, show highlights, and the changing landscape of the Fringe and the International Festival. This [&#8230;]]]></description>
                        <itunes:summary><![CDATA[TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual TheatreVoice critical round-up to cover and reflect on the Festival each year, with discussions of ticket sales, show highlights, and the changing landscape of the Fringe and the International Festival. This [&#8230;]]]></itunes:summary>
                        <itunes:subtitle><![CDATA[TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual TheatreVoice critical round-up to cover and reflect on the Festival each year, with discussions of ticket sales, show highlights, and the changing landscape of the Fringe and the International Festival. This [&#8230;]]]></itunes:subtitle>
                        <content:encoded><![CDATA[TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual TheatreVoice critical round-up to cover and reflect on the Festival each year, with discussions of ticket sales, show highlights, and the changing landscape of the Fringe and the International Festival. This [&#8230;]]]></content:encoded>
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