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	<title>theatreVOICE</title>
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	<itunes:summary>the web&#039;s leading resource for audio about British theatre</itunes:summary>
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		<title>The Radicalisation of Bradley Manning (short excerpt, via youtube)</title>
		<link>http://www.theatrevoice.com/8107/the-radicalisation-of-bradley-manning-short-excerpt-via-youtube/</link>
		<comments>http://www.theatrevoice.com/8107/the-radicalisation-of-bradley-manning-short-excerpt-via-youtube/#comments</comments>
		<pubDate>Sat, 12 May 2012 12:12:46 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Video]]></category>

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		<title>Digital theatre: The Radicalisation of Bradley Manning, livestreamed</title>
		<link>http://www.theatrevoice.com/8085/digital-theatre-the-radicalisation-of-bradley-manning/</link>
		<comments>http://www.theatrevoice.com/8085/digital-theatre-the-radicalisation-of-bradley-manning/#comments</comments>
		<pubDate>Sat, 12 May 2012 11:55:28 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Digital theatre]]></category>
		<category><![CDATA[Regional Theatre]]></category>
		<category><![CDATA[Bradley Manning]]></category>
		<category><![CDATA[Digital Theatre]]></category>
		<category><![CDATA[downloads]]></category>
		<category><![CDATA[John E McGrath]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[streaming]]></category>
		<category><![CDATA[Tom Beardshaw]]></category>

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		<description><![CDATA[Interview: The Radicalisation of Bradley Manning. John McGrath, director of National Theatre Wales, and Tom Beardshaw -  multi-platform designer - discuss The Radicalisation of Bradley Manning, a play by Tim Price exploring the case of  the US soldier accused of leaking classified US diplomatic cables along with half a million army reports.They focus on the livestreamed production, a new departure for UK theatre. Interview by Ella Parry-Davies. ]]></description>
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		<slash:comments>0</slash:comments>
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			<itunes:keywords>Bradley Manning,Digital Theatre,downloads,John E McGrath,online,streaming,Tom Beardshaw</itunes:keywords>
		<itunes:subtitle>Interview: The Radicalisation of Bradley Manning. John McGrath, director of National Theatre Wales, and Tom Beardshaw multi-platform designer - discuss The Radicalisation of Bradley Manning, a play by Tim Price exploring the case of  the US soldier ...</itunes:subtitle>
		<itunes:summary>Interview: The Radicalisation of Bradley Manning. John McGrath, director of National Theatre Wales, and Tom Beardshaw -  multi-platform designer - discuss The Radicalisation of Bradley Manning, a play by Tim Price exploring the case of  the US soldier accused of leaking classified US diplomatic cables along with half a million army reports.They focus on the livestreamed production, a new departure for UK theatre. Interview by Ella Parry-Davies.</itunes:summary>
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		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>29:26</itunes:duration>
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		<title>Director and writer Lisa Goldman breaks the rules</title>
		<link>http://www.theatrevoice.com/8088/director-and-writer-lisa-goldman-breaks-the-rules/</link>
		<comments>http://www.theatrevoice.com/8088/director-and-writer-lisa-goldman-breaks-the-rules/#comments</comments>
		<pubDate>Sat, 12 May 2012 11:49:17 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Hoxton Story]]></category>
		<category><![CDATA[Lisa Goldman]]></category>
		<category><![CDATA[new writing]]></category>
		<category><![CDATA[playwrights]]></category>
		<category><![CDATA[Soho Theatre]]></category>
		<category><![CDATA[The No Rules handbook for Writers]]></category>
		<category><![CDATA[workshops]]></category>
		<category><![CDATA[young writers]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8088</guid>
		<description><![CDATA[INTERVIEW: LISA GOLDMAN The director and writer talks to Aleks Sierz about her new book, The No Rules Handbook for Writers (Oberon), which is an antidote to prescriptive writing guides, and also recalls her site-specific walkabout play, Hoxton Story (2005).]]></description>
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		<slash:comments>0</slash:comments>
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			<itunes:keywords>Hoxton Story,Lisa Goldman,new writing,playwrights,Soho Theatre,The No Rules handbook for Writers,workshops,young writers</itunes:keywords>
		<itunes:subtitle>INTERVIEW: LISA GOLDMAN The director and writer talks to Aleks Sierz about her new book, The No Rules Handbook for Writers (Oberon), which is an antidote to prescriptive writing guides, and also recalls her site-specific walkabout play,</itunes:subtitle>
		<itunes:summary>INTERVIEW: LISA GOLDMAN The director and writer talks to Aleks Sierz about her new book, The No Rules Handbook for Writers (Oberon), which is an antidote to prescriptive writing guides, and also recalls her site-specific walkabout play, Hoxton Story (2005).</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>31:53</itunes:duration>
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		<title>Shakespeare&#8217;s First Acts: Richard III</title>
		<link>http://www.theatrevoice.com/8089/shakespeares-first-acts-richard-iii/</link>
		<comments>http://www.theatrevoice.com/8089/shakespeares-first-acts-richard-iii/#comments</comments>
		<pubDate>Sat, 12 May 2012 11:45:43 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Shakespeare and Renaissance Drama]]></category>
		<category><![CDATA[Globe]]></category>
		<category><![CDATA[histories]]></category>
		<category><![CDATA[Mark Rylance]]></category>
		<category><![CDATA[Richard III]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Tim Carroll]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8089</guid>
		<description><![CDATA[Shakespeare’s First Acts: Richard III. Tim Carroll discusses the first act of the play, which he is directing at Shakespeare’s Globe this summer, with Mark Rylance as Richard. This interview is part of theatrevoice’s new series for Olympics year 2012, looking at the beginning of each of Shakespeare’s plays. Interview recorded at the Globe on 8 May 2012, by Sophie Reynolds.]]></description>
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		<slash:comments>0</slash:comments>
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			<itunes:keywords>Globe,histories,Mark Rylance,Richard III,Shakespeare,Tim Carroll</itunes:keywords>
		<itunes:subtitle>Shakespeare’s First Acts: Richard III. Tim Carroll discusses the first act of the play, which he is directing at Shakespeare’s Globe this summer, with Mark Rylance as Richard. This interview is part of theatrevoice’s new series for Olympics year 2012,</itunes:subtitle>
		<itunes:summary>Shakespeare’s First Acts: Richard III. Tim Carroll discusses the first act of the play, which he is directing at Shakespeare’s Globe this summer, with Mark Rylance as Richard. This interview is part of theatrevoice’s new series for Olympics year 2012, looking at the beginning of each of Shakespeare’s plays. Interview recorded at the Globe on 8 May 2012, by Sophie Reynolds.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>16:08</itunes:duration>
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		<item>
		<title>Playwright Ronald Harwood appreciates Donald Wolfit (1/2)</title>
		<link>http://www.theatrevoice.com/8068/playwright-ronald-harwood-appreciates-donald-wolfit-12/</link>
		<comments>http://www.theatrevoice.com/8068/playwright-ronald-harwood-appreciates-donald-wolfit-12/#comments</comments>
		<pubDate>Tue, 08 May 2012 15:21:49 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[20th-century Drama]]></category>
		<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Theatre People]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[actor-manager]]></category>
		<category><![CDATA[Donald Wolfit]]></category>
		<category><![CDATA[Ronald Harwood]]></category>
		<category><![CDATA[Society for Theatre Research]]></category>
		<category><![CDATA[The Dresser]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8068</guid>
		<description><![CDATA[DONALD WOLFIT SPECIAL (1/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatre Research's lecture series. ]]></description>
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		<slash:comments>0</slash:comments>
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			<itunes:keywords>acting,actor-manager,Donald Wolfit,Ronald Harwood,Society for Theatre Research,The Dresser</itunes:keywords>
		<itunes:subtitle>DONALD WOLFIT SPECIAL (1/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatr...</itunes:subtitle>
		<itunes:summary>DONALD WOLFIT SPECIAL (1/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatre Research&#039;s lecture series.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>39:45</itunes:duration>
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		<item>
		<title>Playwright Ronald Harwood appreciates Donald Wolfit (2/2)</title>
		<link>http://www.theatrevoice.com/8059/playwright-ronald-harwood-appreciates-donald-wolfit-2/</link>
		<comments>http://www.theatrevoice.com/8059/playwright-ronald-harwood-appreciates-donald-wolfit-2/#comments</comments>
		<pubDate>Tue, 08 May 2012 14:58:20 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[20th-century Drama]]></category>
		<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Theatre People]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[actor-manager]]></category>
		<category><![CDATA[Donald Wolfit]]></category>
		<category><![CDATA[King Lear]]></category>
		<category><![CDATA[Ronald Harwood]]></category>
		<category><![CDATA[Society for Theatre Research]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8059</guid>
		<description><![CDATA[DONALD WOLFIT SPECIAL (2/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatre Research's lecture series. ]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/8059/playwright-ronald-harwood-appreciates-donald-wolfit-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.theatrevoice.com/wp-content/uploads/2012/05/STR_wolfit_talk_2.mp3" length="48563640" type="audio/mpeg" />
			<itunes:keywords>acting,actor-manager,Donald Wolfit,King Lear,Ronald Harwood,Society for Theatre Research</itunes:keywords>
		<itunes:subtitle>DONALD WOLFIT SPECIAL (2/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatr...</itunes:subtitle>
		<itunes:summary>DONALD WOLFIT SPECIAL (2/2) Playwright Sir Ronald Harwood, biographer of legendary actor-manager Sir Donald Wolfit and a former member of his company, discusses the man and his work with Howard Loxton at an event that was part of the Society for Theatre Research&#039;s lecture series.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>50:35</itunes:duration>
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		<item>
		<title>Promo for Jekyll &amp; Hyde, the musical @ Union Theatre</title>
		<link>http://www.theatrevoice.com/8054/promo-for-jekyll-hyde-the-musical-union-theatre/</link>
		<comments>http://www.theatrevoice.com/8054/promo-for-jekyll-hyde-the-musical-union-theatre/#comments</comments>
		<pubDate>Mon, 07 May 2012 19:47:58 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Video]]></category>

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		<description><![CDATA[Union Theatre info]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Star actor Simon Russell Beale on playing Stalin</title>
		<link>http://www.theatrevoice.com/8049/simon-russell-beale-on-stalin-excerpt/</link>
		<comments>http://www.theatrevoice.com/8049/simon-russell-beale-on-stalin-excerpt/#comments</comments>
		<pubDate>Sat, 05 May 2012 10:10:47 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Russian Drama]]></category>
		<category><![CDATA[Theatre People]]></category>
		<category><![CDATA[Bulgakov]]></category>
		<category><![CDATA[collaborators]]></category>
		<category><![CDATA[John Hodge]]></category>
		<category><![CDATA[National Theatre]]></category>
		<category><![CDATA[Stalin]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8049</guid>
		<description><![CDATA[INTERVIEW: SIMON RUSSELL BEALE To mark the transfer to the National's Olivier Theatre of John Hodge's Olivier Award-winning play, Collaborators, about Stalin and Bulgakov, we're sharing this short six-minute extract of actor Simon Russell Beale reflecting on the challenge of playing the dictator. ]]></description>
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		<slash:comments>0</slash:comments>
<enclosure url="http://www.theatrevoice.com/wp-content/uploads/2012/05/simon-russell-beale_excerpt.mp3" length="5996050" type="audio/mpeg" />
			<itunes:keywords>Bulgakov,collaborators,John Hodge,National Theatre,Stalin</itunes:keywords>
		<itunes:subtitle>INTERVIEW: SIMON RUSSELL BEALE To mark the transfer to the National&#039;s Olivier Theatre of John Hodge&#039;s Olivier Award-winning play, Collaborators, about Stalin and Bulgakov, we&#039;re sharing this short six-minute extract of actor Simon Russell Beale reflect...</itunes:subtitle>
		<itunes:summary>INTERVIEW: SIMON RUSSELL BEALE To mark the transfer to the National&#039;s Olivier Theatre of John Hodge&#039;s Olivier Award-winning play, Collaborators, about Stalin and Bulgakov, we&#039;re sharing this short six-minute extract of actor Simon Russell Beale reflecting on the challenge of playing the dictator.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>6:15</itunes:duration>
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		<title>Coalition @Theatre503: We Are Where We Are, performed by Clever Peter</title>
		<link>http://www.theatrevoice.com/8040/coalition-theatre503-we-are-where-we-are-performed-by-clever-peter/</link>
		<comments>http://www.theatrevoice.com/8040/coalition-theatre503-we-are-where-we-are-performed-by-clever-peter/#comments</comments>
		<pubDate>Sat, 05 May 2012 07:53:32 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[assessment]]></category>
		<category><![CDATA[austerity]]></category>
		<category><![CDATA[bureaucracy]]></category>
		<category><![CDATA[cameron]]></category>
		<category><![CDATA[Clegg]]></category>
		<category><![CDATA[coalition]]></category>
		<category><![CDATA[cuts]]></category>
		<category><![CDATA[disability]]></category>
		<category><![CDATA[incapacity benefit]]></category>
		<category><![CDATA[kafka]]></category>
		<category><![CDATA[one-act play]]></category>
		<category><![CDATA[satire]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8040</guid>
		<description><![CDATA[We Are Where We Are, by Dominic Cavendish &#38; Clever...]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/8040/coalition-theatre503-we-are-where-we-are-performed-by-clever-peter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Director Stephen Unwin revisits the South Pole</title>
		<link>http://www.theatrevoice.com/8026/director-stephen-unwin-revisits-the-south-pole/</link>
		<comments>http://www.theatrevoice.com/8026/director-stephen-unwin-revisits-the-south-pole/#comments</comments>
		<pubDate>Wed, 02 May 2012 08:04:15 +0000</pubDate>
		<dc:creator>editors</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Arcola Theatre]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[German theatre]]></category>
		<category><![CDATA[Manfred Karge]]></category>
		<category><![CDATA[Stephen Unwin]]></category>
		<category><![CDATA[The Conquest of the South Pole]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=8026</guid>
		<description><![CDATA[INTERVIEW: STEPHEN UNWIN The artistic director of the Rose Theatre in Kingston talks to Aleks Sierz about his revival of German playwright Manfred Karge's The Conquest of the South Pole (Arcola), which he first directed at the Traverse in the 1980s, and about the influence of Bertolt Brecht on the play.]]></description>
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		<slash:comments>1</slash:comments>
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			<itunes:keywords>Arcola Theatre,Bertolt Brecht,German theatre,Manfred Karge,Stephen Unwin,The Conquest of the South Pole</itunes:keywords>
		<itunes:subtitle>INTERVIEW: STEPHEN UNWIN The artistic director of the Rose Theatre in Kingston talks to Aleks Sierz about his revival of German playwright Manfred Karge&#039;s The Conquest of the South Pole (Arcola), which he first directed at the Traverse in the 1980s,</itunes:subtitle>
		<itunes:summary>INTERVIEW: STEPHEN UNWIN The artistic director of the Rose Theatre in Kingston talks to Aleks Sierz about his revival of German playwright Manfred Karge&#039;s The Conquest of the South Pole (Arcola), which he first directed at the Traverse in the 1980s, and about the influence of Bertolt Brecht on the play.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:duration>23:21</itunes:duration>
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