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	<title>theatreVOICE</title>
	<link>http://www.theatrevoice.com/blog</link>
	<description>Let's talk about theatre</description>
	<pubDate>Sun, 16 May 2010 22:37:53 +0000</pubDate>
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		<title>The David Hare election roadshow confounds the critics</title>
		<link>http://www.theatrevoice.com/blog/index.php/2010/05/16/the-david-hare-election-roadshow-confounds-the-critics/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2010/05/16/the-david-hare-election-roadshow-confounds-the-critics/#comments</comments>
		<pubDate>Sun, 16 May 2010 22:33:03 +0000</pubDate>
		<dc:creator>Dominic Cavendish</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2010/05/16/the-david-hare-election-roadshow-confounds-the-critics/</guid>
		<description><![CDATA[Say what you like about Sir David Hare or just plain David Hare (but not, please, “Call me Dave”). And some people have been very mean indeed - step forward, most notoriously Dominic Dromgoole (“The most intriguing question about David Hare is how such a flat writer has come to be afforded such a mountainous [...]]]></description>
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		<item>
		<title>Corin Redgrave - and death by Wikipedia&#8230;</title>
		<link>http://www.theatrevoice.com/blog/index.php/2010/04/06/corin-redgrave-and-death-by-wikipedia/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2010/04/06/corin-redgrave-and-death-by-wikipedia/#comments</comments>
		<pubDate>Tue, 06 Apr 2010 22:37:55 +0000</pubDate>
		<dc:creator>Dominic Cavendish</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2010/04/06/corin-redgrave-and-death-by-wikipedia/</guid>
		<description><![CDATA[Very sad news about the death of Corin Redgrave, as some have said a much under-rated actor - and a man whose reputation crept for a long period under a double-shadow, that of his formidably successful father and that of his own often contentious hard-left political activism.
I feel blessed to have encountered some of his [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2010/04/06/corin-redgrave-and-death-by-wikipedia/feed/</wfw:commentRss>
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		<title>Digital world: Urban Scrawl and beyond</title>
		<link>http://www.theatrevoice.com/blog/index.php/2010/01/12/digital-world-urban-scrawl-and-beyond/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2010/01/12/digital-world-urban-scrawl-and-beyond/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 17:38:13 +0000</pubDate>
		<dc:creator>Aleks Sierz</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2010/01/12/digital-world-urban-scrawl-and-beyond/</guid>
		<description><![CDATA[Throughout history, new technologies have seemed to threaten theatre — until we got over it, and embraced them. So while at first the digital world — from mobile phones to Twitter — was an irritant to many theatre-makers, new technology is now being increasingly used to record performances, and to make them available to a [...]]]></description>
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		<title>Urban Scrawl - one amazing year in the life of a capital city</title>
		<link>http://www.theatrevoice.com/blog/index.php/2010/01/04/urban-scrawl-one-amazing-year-in-the-life-of-a-capital-city/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2010/01/04/urban-scrawl-one-amazing-year-in-the-life-of-a-capital-city/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 00:36:00 +0000</pubDate>
		<dc:creator>Dominic Cavendish</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2010/01/04/urban-scrawl-one-amazing-year-in-the-life-of-a-capital-city/</guid>
		<description><![CDATA[I don’t know about you, but I’m going to miss Urban Scrawl.

Every week for the past year (give or take the odd break, when co-editor Aleks Sierz has stepped into the breach), I’ve had the privilege to upload and assign a new play to the site. And every time, there’s always been something to hook [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2010/01/04/urban-scrawl-one-amazing-year-in-the-life-of-a-capital-city/feed/</wfw:commentRss>
		</item>
		<item>
		<title>In praise of Kenneth Tynan</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/09/25/in-praise-of-kenneth-tynan/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/09/25/in-praise-of-kenneth-tynan/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 09:32:53 +0000</pubDate>
		<dc:creator>Michael Raab</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/09/25/in-praise-of-kenneth-tynan/</guid>
		<description><![CDATA[  
As Dominic Cavendish asked me to put the text up on the website, I&#8217;ll renege on my announcement not to write another blog and am posting as the last one for the road a short speech I gave when awarded the journalism prize of the Anglistentag at Klagenfurt this week:
When I still thought [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2009/09/25/in-praise-of-kenneth-tynan/feed/</wfw:commentRss>
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		<item>
		<title>To direct or not to direct</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/09/02/to-direct-or-not-to-direct/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/09/02/to-direct-or-not-to-direct/#comments</comments>
		<pubDate>Wed, 02 Sep 2009 13:47:30 +0000</pubDate>
		<dc:creator>Michael Raab</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/09/02/to-direct-or-not-to-direct/</guid>
		<description><![CDATA[  
Trends in Edinburgh this year were more or less self-indulgent autobiographical ramblings, a mind-numbing tendency to camouflage by meta-theatrical devices that you didn’t have much to say in the first place and a predilection by some dramatists to venture onto the territory of the musical.
With David Greig’s Midsummer and Che Walker’s Been So [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2009/09/02/to-direct-or-not-to-direct/feed/</wfw:commentRss>
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		<item>
		<title>Amnesia and the Royal Court</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/08/17/amnesia-and-the-royal-court/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/08/17/amnesia-and-the-royal-court/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 15:18:57 +0000</pubDate>
		<dc:creator>Michael Raab</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/08/17/amnesia-and-the-royal-court/</guid>
		<description><![CDATA[  
When German critics write about new British drama they almost invariably only refer to the Royal Court. This is partly due to the strong exchange ties between the Court and the Berlin Schaubühne am Lehniner Platz. The latter’s Thomas Ostermeier in an interview went as far as to proclaim Patrick Marber a product [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2009/08/17/amnesia-and-the-royal-court/feed/</wfw:commentRss>
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		<item>
		<title>How about this or should we rather be saying that?</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/07/20/how-about-this-or-should-we-rather-be-saying-that/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/07/20/how-about-this-or-should-we-rather-be-saying-that/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 10:25:05 +0000</pubDate>
		<dc:creator>Michael Raab</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/07/20/how-about-this-or-should-we-rather-be-saying-that/</guid>
		<description><![CDATA[  
In the German theatre currently there is an unfortunate tendency for interpolations. One young director is on record maintaining: “I let the actors speak text of their own which is true to the core of the play and often far more beautiful than the author’s words.” Accordingly when she directed Gregory Burke’s Gagarin [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2009/07/20/how-about-this-or-should-we-rather-be-saying-that/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Punchdrunk: Curtis &#038; Barrett on It Felt Like A Kiss</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/06/28/punchdrunk-curtis-barrett-on-it-felt-like-a-kiss/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/06/28/punchdrunk-curtis-barrett-on-it-felt-like-a-kiss/#comments</comments>
		<pubDate>Sun, 28 Jun 2009 10:11:16 +0000</pubDate>
		<dc:creator>Dominic Cavendish</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/06/28/punchdrunk-curtis-barrett-on-it-felt-like-a-kiss/</guid>
		<description><![CDATA[Stand by for a slice of audio with Felix Barrett and Adam Curtis on the new Punchdrunk show: It Felt Like A Kiss. In the meantime, here&#8217;s a feature on this ground-breaking event that ran in the Daily Telegraph but never made it online:
It looks like the sort of office-block Manchester’s answer to David Brent [...]]]></description>
		<wfw:commentRss>http://www.theatrevoice.com/blog/index.php/2009/06/28/punchdrunk-curtis-barrett-on-it-felt-like-a-kiss/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Jurgen Gosch (1943-2009)</title>
		<link>http://www.theatrevoice.com/blog/index.php/2009/06/12/jurgen-gosch-1943-2009/</link>
		<comments>http://www.theatrevoice.com/blog/index.php/2009/06/12/jurgen-gosch-1943-2009/#comments</comments>
		<pubDate>Fri, 12 Jun 2009 08:41:27 +0000</pubDate>
		<dc:creator>Michael Raab</dc:creator>
		
		<category>Audio 2008</category>

		<guid isPermaLink="false">http://www.theatrevoice.com/blog/index.php/2009/06/12/jurgen-gosch-1943-2009/</guid>
		<description><![CDATA[
Jürgen Gosch was the most important German director of the decade. He trained as an actor in the former GDR and left the country after his early productions there were met with official hostility. Particularly contentious was Büchner’s “Leonce and Lena” at the Berlin Volksbühne in 1978 which was staged as an artistic and poetic [...]]]></description>
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